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 3. 4. 5. 6. also, 2. 5. part of the account for the actress and theatre manager gladys cooper’s 1920 production of ‘ the sacred flame ’ at london’s playhouse theatre, of the account for her touring version of ‘ the sacred flame ’, of the account for her 1930 production of ‘ the dishonoured lady ’ at london’s playhouse theatre, and of her account for her 1930 production of ‘ cynara ’ also at london’s playhouse theatre. © please note that our archive is a private archive, that this website and its contents are copyright, and that it is unlawful for the whole of this website or any part of this website to be in any way, directly or indirectly, reproduced, transmitted, and/or stored in any form, including pictorial, without the prior written consent of a director of brunskill and loveday limited having been obtained. however, if you wish to link to the entirety of this website from your own website please feel free to do so - but on the condition that you e- mail us immediately that you have done so to let us know. ______________________________________________________________________ dear visitor despite the fact that many actors, actresses, and other performers have received much recognition over the years theatrical scenery - which includes drapes (curtains) and which often plays a major part in an audience’s enjoyment of a show or performance - has, more often than not, been forgotten, or almost forgotten, about. we believe that any true understanding of the history and development of uk theatre must also include a depth of knowledge of the history and development of other facets of uk theatre of which theatrical scenery is certainly one. hence, as our humble attempt to at least partly rectify the situation, this website . so, welcome to the world of well in excess of 5,000 shows for which the scenery was built by brunskill and loveday limited, arguably one of the most successful of 20th century uk scenery- building firms. [there are over 25,000 entries in the databases.] if you wish to know about the origins of brunskill and loveday limited, please read on : first registered as a limited company on 26 july 1939 brunskill and loveday limited was formed by the amalgamation of two, by then, well- established, and very successful, scenery- building firms - john brunskill limited and loveday & higson . with the 'second world war' almost about to start the two firms, previously each often the other's principal (but friendly and, at times, very co- operative) competitor, came to- gether because each felt that they would have a better chance of economically surviving the war as one unit than as two competing units. the success of the two businesses which gave birth to brunskill and loveday limited was principally due to three people - john brunskill , edwin [ted] george loveday , and john [jack] higson. john brunskill , the founder of john brunskill limited, was born in penge, london in 1870 to william brunskill a carpenter/joiner who was born in melmerby, cumberland (now part of cumbria) in 1836 and who became the master carpenter in london's empire theatre. when a boy john brunskill went to work for the impresario richard d'oyly carte as a trainee stage carpenter on original productions of gilbert and sullivan's comic operas in carte's then newly built savoy theatre. after having learned the skills necessary to enable him to become a theatre master carpenter he subsequently branched out as a builder of scenery on his own account and by 1927, so the london evening news informed its readers in august of that year, he had "been making scenery for london and provincial theatres for a quarter of a century". by then john brunskill was in a partnership, but still trading as john brunskill, with his son, john [jack] robert brunskill, and with another scenery builder, hp flack. the business was incorporated as john brunskill limited in 1931. ted loveday (my father) was born in aylesford street, pimlico, london in 1880. charles, his father (my grandfather), was a musician, and one of my grandfather's brothers, henry joseph [hj] loveday, was also a musician who, when aged only 19, was appointed conductor of the orchestra in edinburgh's theatre royal. in 1877 hj loveday became stage manager, adviser, and friend to the actor- manager sir henry irving at irving's lyceum theatre off london's strand. [they first met when irving was appearing in edinburgh between 1857- 1860], he remained as irving's stage manager, adviser, and friend until irving's death in 1905. [their assistant at the lyceum theatre was bram stoker, the author of 'dracula' ( a story doubtless much influenced by the dark, draughty, creepy eeriness of life, as it then was, backstage at the lyceum ).] another of my father's uncles was george beaumont loveday, a manager of theatres and of artists [including the then very famous comic actor (and producer) john lawrence toole] and an impresario for whom, in 1883, eastbourne's theatre royal [now known as the royal hippodrome] was built. [their grandfather was an actor at the theatre royal, covent garden in the days of the kembles. their father, william loveday, was an actor at the theatre royal, drury lane with edmund kean and their mother was an actress with kean.] in his early teenage years my father studied, and became proficient in, the crafts of joinery and of cabinet- making before, in 1899 when aged 19, starting his own scenery- building business [one of his first 'customers' being the impresario sir oswald stoll]. jack higson was the eldest of the three. when aged only 11, he was already in paid work doing all sorts of 'behind the scenes' jobs in professional theatre before becoming first a trainee stage carpenter, then a stage carpenter, then a theatre master carpenter. thereafter he became technical advisor to such theatrical 'greats' as the impresario sir charles blake [cb] cochran. jack higson's technical knowledge of scenery, of stage construction, and of stage mechanics [traps, revolves, ascending and descending scenery, etc] was considered to be of the finest quality. he also built scenery on his own account and continued to do so until 1922. - - - - - - public radio broadcasting did not commence in the uk until the early 1920s [several years before television] and therefore, although increasing numbers of cinemas were coming into existence, music halls and theatres were the principal places where large numbers of people went to be entertained. most towns, even many villages, had at least one music hall and/or one theatre, and many large towns and cities had several of them [see, for instance, the website of arthur lloyd for further information]. therefore, given, due to its many music halls and theatres, the considerable amount of scenery that was required in the london area in the early years of the 20th century, there were in london many scenery builders some of whom - such as bruce smith, francis bull, george hemsley - made scenery in conjunction with, or which they sub- contracted to, john brunskill, ted loveday, and/or jack higson (the sub- contractors sometimes receiving no public acknowledgement whatsoever, even if they actually built all the scenery for the entire show). john brunskill, ted loveday, and jack higson had advantages over many other scenery builders for each had [1] been born into a family deeply involved in professional theatre with a bias towards scenery, [2] been brought- up surrounded by very 'useful' influential theatrical 'contacts', and [3] in his childhood learned in great practical detail the art and skills needed to, almost entirely by hand in those days, construct scenery. also, not only in the 1890s was flat perspective scenery (cloths, etc, with walls, ceilings, doors, windows, and so on painted on them) beginning to be replaced by realistic scenery (actual walls and ceilings, real doors and windows that actually opened and closed, and so on) but in the 1900s the trend of sending 'london' shows touring

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arthurlloyd.co.uk

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Domain Name: THEATRICAL-SCENERY.INFO
Registry Domain ID: D27906558-LRMS
Registrar WHOIS Server:
Registrar URL: www.domainmonster.com
Updated Date: 2016-02-23T04:42:29Z
Creation Date: 2009-02-28T15:30:06Z
Registry Expiry Date: 2018-02-28T15:30:06Z
Registrar Registration Expiration Date:
Registrar: Mesh Digital Limited
Registrar IANA ID: 1390
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Domain Status: clientDeleteProhibited https://icann.org/epp#clientDeleteProhibited
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Domain Status: clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited
Registry Registrant ID: C150205933-LRMS
Registrant Name: TED LOVEDAY
Registrant Organization: BRUNSKILL AND LOVEDAY LIMITED
Registrant Street: 55-57 BRIDGE STREET
Registrant City: BERWICK-UPON-TWEED
Registrant State/Province: NORTHUMBERLAND
Registrant Postal Code: TD151ES
Registrant Country: GB
Registrant Phone: +44.1289305888
Registrant Phone Ext:
Registrant Fax:
Registrant Fax Ext:
Registrant Email: [email protected]
Registry Admin ID: C150205934-LRMS
Admin Name: TED LOVEDAY
Admin Organization: BRUNSKILL AND LOVEDAY LIMITED
Admin Street: 55-57 BRIDGE STREET
Admin City: BERWICK-UPON-TWEED
Admin State/Province: NORTHUMBERLAND
Admin Postal Code: TD151ES
Admin Country: GB
Admin Phone: +44.1289305888
Admin Phone Ext:
Admin Fax:
Admin Fax Ext:
Admin Email: [email protected]
Registry Tech ID: C150205936-LRMS
Tech Name: TED LOVEDAY
Tech Organization: BRUNSKILL AND LOVEDAY LIMITED
Tech Street: 55-57 BRIDGE STREET
Tech City: BERWICK-UPON-TWEED
Tech State/Province: NORTHUMBERLAND
Tech Postal Code: TD151ES
Tech Country: GB
Tech Phone: +44.1289305888
Tech Phone Ext:
Tech Fax:
Tech Fax Ext:
Tech Email: [email protected]
Registry Billing ID: C150205935-LRMS
Billing Name: TED LOVEDAY
Billing Organization: BRUNSKILL AND LOVEDAY LIMITED
Billing Street: 55-57 BRIDGE STREET
Billing City: BERWICK-UPON-TWEED
Billing State/Province: NORTHUMBERLAND
Billing Postal Code: TD151ES
Billing Country: GB
Billing Phone: +44.1289305888
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Billing Fax:
Billing Fax Ext:
Billing Email: [email protected]
Name Server: NS.HEARTINTERNET.CO.UK
Name Server: NS2.HEARTINTERNET.CO.UK
DNSSEC: unsigned
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>>> Last update of WHOIS database: 2017-07-15T05:17:07Z <<<

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  REFERRER http://whois.afilias.info

  REGISTRAR Afilias Global Registry Services

SERVERS

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  ARGS theatrical-scenery.info

  PORT 43

  TYPE domain

DOMAIN

  NAME theatrical-scenery.info

  HANDLE D27906558-LRMS

  CREATED 2009-02-28

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NSERVER

  NS.HEARTINTERNET.CO.UK 79.170.40.2

  NS2.HEARTINTERNET.CO.UK 79.170.43.3

OWNER

  HANDLE C150205933-LRMS

  NAME TED LOVEDAY

  ORGANIZATION BRUNSKILL AND LOVEDAY LIMITED

ADDRESS

STREET
55-57 BRIDGE STREET

  CITY BERWICK-UPON-TWEED

  STATE NORTHUMBERLAND

  PCODE TD151ES

  COUNTRY GB

  PHONE +44.1289305888

  EMAIL [email protected]

ADMIN

  HANDLE C150205934-LRMS

  NAME TED LOVEDAY

  ORGANIZATION BRUNSKILL AND LOVEDAY LIMITED

ADDRESS

STREET
55-57 BRIDGE STREET

  CITY BERWICK-UPON-TWEED

  STATE NORTHUMBERLAND

  PCODE TD151ES

  COUNTRY GB

  PHONE +44.1289305888

  EMAIL [email protected]

TECH

  HANDLE C150205936-LRMS

  NAME TED LOVEDAY

  ORGANIZATION BRUNSKILL AND LOVEDAY LIMITED

ADDRESS

STREET
55-57 BRIDGE STREET

  CITY BERWICK-UPON-TWEED

  STATE NORTHUMBERLAND

  PCODE TD151ES

  COUNTRY GB

  PHONE +44.1289305888

  EMAIL [email protected]

BILLING

  HANDLE C150205935-LRMS

  NAME TED LOVEDAY

  ORGANIZATION BRUNSKILL AND LOVEDAY LIMITED

ADDRESS

STREET
55-57 BRIDGE STREET

  CITY BERWICK-UPON-TWEED

  STATE NORTHUMBERLAND

  PCODE TD151ES

  COUNTRY GB

  PHONE +44.1289305888

  EMAIL [email protected]

  REGISTERED yes

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